Os vencedores do 32º  Eisner Awards, os prémios de maior prestigio da indústria norte-americana da banda desenhada, foram anunciados por meio de uma apresentação em vídeo. Veja quem levou a melhor.

Os Will Eisner Comic Industry Awards, comummente abreviado para Eisner Awards, são uns troféus para premiar  realizações criativas na banda desenhada norte-americana, muitas vezes comparado com “Os Óscars da BD”.  Eles são nomeados em homenagem ao autor Will Eisner, que participou regularmente da cerimonia até a sua morte em 2005.

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‘Best Short Story’:
‘Hot Comb,’
by Ebony Flowers,
in Hot Comb
(Drawn & Quarterly)

‘Best Single Issue/One-Shot’:
Our Favorite Thing Is My Favorite Thing Is Monsters,
by Emil Ferris
(Fantagraphics)

‘Best Continuing Series’:
Bitter Root,
by David Walker, Chuck Brown, and Sanford Greene
(Image)

‘Best Limited Series’:
Little Bird
by Darcy Van Poelgeest and Ian Bertram
(Image)

‘Best New Series’:
Invisible Kingdom,
by G. Willow Wilson and Christian Ward
(Berger Books/Dark Horse)

‘Best Publication for Early Readers’:
Comics: Easy as ABC,
by Ivan Brunetti
(TOON)

‘Best Publication for Kids’:
Guts,
by Raina Telgemeier
(Scholastic Graphix)

‘Best Publication for Teens’:
Laura Dean Keeps Breaking Up with Me,
by Mariko Tamaki and Rosemary Valero-O’Connell
(First Second/Macmillan)

‘Best Humor Publication’:
The Way of the Househusband, vol. 1,
by Kousuke Oono, translation by Sheldon Drzka
(VIZ Media)

‘Best Anthology’:
Drawing Power: Women’s Stories of Sexual Violence, Harassment, and Survival,
edited by Diane Noomin (Abrams)

‘Best Reality-Based Work’:
They Called Us Enemy,
by George Takei, Justin Eisinger, Steven Scott, and Harmony Becker
(Top Shelf)

‘Best Graphic Album—New’:
Are You Listening?
by Tillie Walden
(First Second/Macmillan)

‘Best Graphic Album—Reprint’:
LaGuardia,
by Nnedi Okorafor and Tana Ford
(Berger Books/Dark Horse)

‘Best Adaptation from Another Medium’:
Snow, Glass, Apples,
by Neil Gaiman and Colleen Doran
(Dark Horse Books)

‘Best U.S. Edition of International Material’:
The House,
by Paco Roca,
translation by Andrea Rosenberg
(Fantagraphics)

‘Best U.S. Edition of International Material—Asia’:
A tie with Cats of the Louvre,
by Taiyo Matsumoto,
translation by Michael Arias (Viz Media); and Witch Hat Atelier, by Kamome Shirahama, translation by Stephen Kohler (Kodansha)

‘Best Archival Collection/Project—Strips’:
Krazy Kat: The Complete Color Sundays, by George Herriman,
edited by Alexander Braun
(Taschen)

‘Best Archival Collection/Project—Comic Books’:
Stan Sakai’s Usagi Yojimbo: The Complete Grasscutter Artist Select,
by Stan Sakai, edited by Scott Dunbier
(IDW)

‘Best Writer’:
Mariko Tamaki, Harley Quinn: Breaking Glass (DC);
Laura Dean Keeps Breaking Up with Me
(First Second/Macmillan); Archie (Archie)

‘Best Writer/Artist’:
Raina Telgemeier,
Guts
(Scholastic Graphix)

‘Best Penciller/Inker or Penciller/Inker Team’:
Rosemary Valero-O’Connell,
Laura Dean Keeps Breaking Up with Me
(First Second/Macmillan)

‘Best Painter/Digital Artist’:
Christian Ward,
Invisible Kingdom
(Berger Books/Dark Horse)

‘Best Cover Artist’:
Emma Rios,
Pretty Deadly
(Image)

‘Best Coloring’:
Dave Stewart,
Black Hammer, B.P.R.D.: The Devil You Know, Hellboy and the BPRD
(Dark Horse); Gideon Falls (Image); Silver Surfer Black, Spider-Man
(Marvel)

‘Best Lettering’:
Stan Sakai,
Usagi Yojimbo
(IDW)

‘Best Comics-Related Periodical/Journalism’:
Women Write About Comics,
edited by Nola Pfau and Wendy Browne,
www.WomenWriteAboutComics.com

‘Best Comics-Related Book’:
Making Comics,
by Lynda Barry
(Drawn & Quarterly)

‘Best Academic/Scholarly Work’:
EC Comics: Race, Shock, and Social Protest,
by Qiana Whitted
(Rutgers University Press)

‘Best Publication Design’:
Making Comics,
designed by Lynda Barry
(Drawn & Quarterly)

‘Best Digital Comic’:
Afterlift,
by Chip Zdarsky and Jason Loo
(comiXology Originals)

‘Best Webcomic’:
Fried Rice,
by Erica Eng, https://friedricecomic.tumblr.com

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À conversa com: Miguel Mendonça
(desenhador do AQUAMAN)

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